| Global Creative Industries |
The creative industries have become one of the fastest-growing and increasingly influential sectors of the global economy. The Global Creative Industries Major constitutes an interdisciplinary framework to the study of the complex relation and interaction between commerce and culture. It examines and analyses the intertwined cultural, economic, social and political forces behind the commercialization of creativity and the culturalization of commerce at an industry-level. Through its global and comparative emphasis, the programme aims primarily to engage students in examining different perspectives on culture and to reflect critically on its changing roles, forms and contents in today’s society in which culture and commerce increasingly overlap with each other.
This programme provides an East-West global framework to the comparative study of the creative industries in Asia and the West. It provides students with a panoramic view of the emergence, development and prospect of the creative industries at the global, regional, national as well as local levels. It aims to examine the broader system of production, distribution, marketing, consumption, and regulation of the key creative industries including but not limited to advertising, fashion, art, antiques and crafts, publishing, music, performing arts, digital entertainment, design, film and video, software and computing, and television and radio. It covers topics ranging from the cultural critique on the development of the creative industries, the examination of the process of cultural production to the assessment of cultural policy to provide students chances to explore and analyse the interplay of culture, business and politics.
Ongoing research projects under Asian ©reative Encounters (A©E)
| A. Cultural Policies and Colonialism in Taiwan and Hong Kong | |
| Convenor and Principal Investigator: | |
| - | Wong Heung-wah |
| Global Creative Industries Programme, School of Modern Languages and Cultures, The University of Hong Kong | |
| Guest Researcher: | |
| - | Yau Hoi-yan |
| Department of Cultural Studies, Lingnan University, Hong Kong | |
| Co-researcher: | |
| - | Chau Ling-fung Karin |
| Global Creative Industries Programme, School of Modern Languages and Cultures, The University of Hong Kong | |
| B. Luxuries and Fashion | |
| Convenor and Principal Investigator: | |
| - | Wong Heung-wah |
| Global Creative Industries Programme, School of Modern Languages and Cultures, The University of Hong Kong | |
| Co-researcher: | |
| - | Chau Ling-fung Karin |
| Global Creative Industries Programme, School of Modern Languages and Cultures, The University of Hong Kong | |
| C. Creativity and Business Management | |
| Convenor and Principal Investigator: | |
| - | Wong Heung-wah |
| Global Creative Industries Programme, School of Modern Languages and Cultures, The University of Hong Kong | |
| Guest Researchers: | |
| - | Sandy Tung |
| Tsinghua University, China | |
| - | Nakahata Mitsuhiro |
| Independent Researcher, Japan | |
| D. Globalization of East Asian Films | |
| Convenor and Principal Investigator: | |
| - | Wong Heung-wah |
| Global Creative Industries Programme, School of Modern Languages and Cultures, The University of Hong Kong | |
| Guest Researchers: | |
| - | Ding Yaping |
| Film and Television Art Research Institute, Chinese National Academy of Arts, China | |
| - | Nobu Tanaka |
| Okura Pictures, Co. Ltd., Japan | |
| E. Censorship in East Asia Creative Industries | |
| Convenor and Principal Investigator: | |
| - | Wong Heung-wah |
| Global Creative Industries Programme, School of Modern Languages and Cultures, The University of Hong Kong | |
| Guest Researchers: | |
| - | Yau Hoi-yan |
| Department of Cultural Studies, Lingnan University, Hong Kong | |
| - | Taizo Hirota |
| (External Censor) Eizorin, Japan | |
